A spiral staircase with a brass handrail, seen from below
Hand-drawn elevations and floor plans of three Amsterdam canal houses
An old blue door with a lion’s-head knocker set in a red brick wall
A made bed in near darkness, lit only by a single warm bedside lamp

INTRODUCTION

People ask the question in different ways. Is the hotel new? Is it part of a group? Are you planning to expand? Underneath each of them is the same surprise — that a house this size, on this canal, holds so few rooms.

The short answer is that seventeen is what fits. The longer answer involves a staircase, a lobby we decided not to build, and a view of hospitality that is easier to keep at a small scale than a large one. This is the longer answer.

CHAPTER ONE

The staircase decides

Every plan for the house began with more rooms. Twenty-two in the first drawing, and twenty-six in one we would rather forget. Each of them failed in the same place: the staircase. It could be kept, or the rooms could be had, but not both. We kept the staircase, and it left us with seventeen.

CHAPTER TWO

A door, not a lobby

Seventeen turned out to be right for another reason. It is the number of guests a house can know by name. With seventeen rooms there is no lobby, no queue and no desk — one door, and someone behind it who has read your letter. Above that number a hotel starts to need systems. Below it, a hotel can still have manners.

CHAPTER THREE

No two alike

Because the rooms follow the house and not a floor plan, no two of them are the same. One has a canopy bed between gilded columns. One opens its doors onto the water. One has nothing in it but a bed, a lamp and the dark. We did not design seventeen rooms. We found them, and then we left them alone.

The House

2 min read

Why seventeen rooms

We could have built more. This is why we did not.

Looking up through a wooden stairwell lit by candle-shaped lamps

NEXT IN THE JOURNAL

What the restoration left alone

Three years, and most of them spent deciding what not to touch.

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